From New York Times bestselling author Mary B. Morrison comes the scintillating, no-holds-barred novel of a dazzling potential power couple who regretfully take their scandalous love-hurt reunion to an all-time low . . .
Between their rising careers and insatiable passion for each other, Xena Trinity and Memphis Brown seem to be perfect partners. Sure, they break up constantly, but their love and sexual chemistry is undeniable. Since their ultimate goal is to marry and start a family after Memphis fulfills his dreams, they believe they can one day have it all. Until Xena gets a once-in-a-lifetime chance to take her fashion brand from Savannah to New York City—just after track star Memphis clenches an Olympic spot . . .
In this clever reimagining of Charles Dickens’s life, he and fiancée Kate Hogarth must solve the murder of a spinster wearing a wedding gown . . .
London, June 1835: In the interest of being a good neighbor, Charles checks in on Miss Haverstock, the elderly spinster who resides in the flat above his. But as the young journalist and his fiancée Kate ascend the stairs, they are assaulted by the unmistakable smell of death. Upon entering the woman’s quarters, they find her decomposing corpse propped up, adorned in a faded gown that looks like it could have been her wedding dress, had she been married. A murderer has set the stage. But to what purpose?
In this brilliantly chilling follow-up to The Thief of All Light, veteran police officer Bernard Schaffer digs deep into the past—and the haunted psyches of the detectives who search for truth . . . at any cost.
“There’s a thousand scavengers in these woods.”
Before being promoted to detective, Carrie Santero was given a rare glimpse into the mind of a killer. Through her mentor, Jacob Rein—a seasoned manhunter whose gift for plumbing the depths of madness nearly drove him over the brink—she was able to help capture one of the most depraved serial killers in the country. Now, the discovery of a small human foot buried in the Pennsylvania woods will lead her to a decades-old cold case—and the darkest secrets of her mentor’s youth.
In late August 1898, reporter Emma Cross attends the final fête of the Newport social season and discovers the party's over for a visiting prince . . .
The days are getting shorter as summer's end approaches, which means it's time for the Harvest Festival, the last big event of the season, held by Mamie Fish, wife of millionaire railroad tycoon Stuyvesant Fish, at their grand "cottage," Crossways. The neocolonial mansion is decked out in artificial autumn splendor, and an extravagant scavenger hunt will be held. But the crowning jewel of the evening will be the guest of honor, Prince Otto of Austria.
“Putney’s endearing characters and warm-hearted stories never fail to inspire and delight.” —Sabrina Jeffries
Love And Survival In The Shadow Of Waterloo . . .
Wearied by his years as a British intelligence officer, Simon Duval resigns his commission after Napoleon’s abdication. Hoping to find new meaning in his life, he returns to England, where he discovers his cousin’s widow, Suzanne Duval, the Comtesse de Chambron. Working as a seamstress, living in reduced circumstances, Suzanne has had a life as complicated as Simon’s. While both believe they are beyond love, their sympathetic bond leads him to propose a marriage of companionship, and Suzanne accepts.
Set during Reconstruction-era New Orleans, and with an extraordinary and unforgettable heroine at its heart, The Undertaker’s Assistant is a powerful story of human resilience—and of the unlikely bonds that hold fast even in our darkest moments.
“The dead can’t hurt you. Only the living can.” Effie Jones, a former slave who escaped to the Union side as a child, knows the truth of her words. Taken in by an army surgeon and his wife during the War, she learned to read and write, to tolerate the sight of blood and broken bodies—and to forget what is too painful to bear. Now a young freedwoman, she has returned south to New Orleans and earns her living as an embalmer, her steady hand and skillful incisions compensating for her white employer’s shortcomings.